Contemporary art is increasingly “untethered” and moves from the white cube of the gallery to any site – including the virtual – to engage the public in its own realm. Public art is an ever-expanding field of inquiry, with artists of all stripes exploring the public realm. Beyond murals, monuments, memorials (and the occasional mime) public art has become a vibrant and engaging practice. From the spectacular to the quotidian, permanent to ephemeral, sited to virtual, material to performative, conceptual to cinematic, we believe there are unprecedented opportunities for new art practices in our shared environment. This is the critical focus of Public Address.
Sign up for LARP “LevelFive”
LevelFive is a live role-playing event organized by the artist Brody Condon, which is focused on critically exploring self-actualization seminars from the 1970s. The 3 day physically and psychologically participatory performance will loosely follow the structure of early Large Group Awareness Training sessions like Erhard Seminars Training, but it is not a re-enactment.
Scaffolding – backbone for and as art
I’ll be writing a full preview of the upcoming 01SJ Biennial this week, but this “urban nest” (via Alias Arts) reminds me of the central role that Madrid-based architect Angel Borrego Cubero’s scaffolding design for Out of the Garage, Into the World sets the stage for a different way of thinking about the “exhibition.” More.
Some images of Angel’s design from the 01SJ publication (designed by Matthew Rezac).
Sign of desires
“[F]or the next month our billboard will be used to list some of the big and small needs we have at the waffle shop. If you bring in one of the things we need, we will create a special display with your name next to the thing you bring in, and add a new item to the billboard list as we always seems to be in the need of something.”–The Waffle Shop
Re Re-discovering the center
“Sociologist William Whyte’s late twentieth-century clarion call for a “rediscovery of the center” asked us to reconsider centralized, dense public spaces rich with unexpected encounters and “maximum choice”. His appeal still echoes, but against radically different conditions. Notions of density, the public and private realms, and the experience of urban space have been re-inscribed in the purview of networked culture — the decentralized, layered, re-publicized and de-privatized conditions of virtual cooperation, coordination, and performance. The explosion of mobile media has transformed understandings and experiences of mobility and presence for technology users and non-users alike. Our social, cognitive, industrial, geographic, and economic experiences and systems have become severed or skewed from traditional anchors and re-oriented within network culture.”