Contemporary art is increasingly “untethered” and moves from the white cube of the gallery to any site – including the virtual – to engage the public in its own realm. Public art is an ever-expanding field of inquiry, with artists of all stripes exploring the public realm. Beyond murals, monuments, memorials (and the occasional mime) public art has become a vibrant and engaging practice. From the spectacular to the quotidian, permanent to ephemeral, sited to virtual, material to performative, conceptual to cinematic, we believe there are unprecedented opportunities for new art practices in our shared environment. This is the critical focus of Public Address.
Sorry I couldn’t be in Miami, I was there in 2007
“‘Sorry I Couldn’t Be There‘ is a crowd-created video series. Developed by members of @Platea, the social media art collective directed by An Xiao, the series features artists from around the world explaining briefly why they couldn’t attend #rank and swing by Miami. Ultimately, the video would highlight concerns around geographic access and about who’s left out during large art fairs. For too long, the influential art centers have been located in major metropolitan regions such as New York, Los Angeles, Miami, Paris, London, Beijing and Seoul. We want to highlight the parts of the world where artists are working.”–William Powhida via Hashtag Class.
Thousand Print Summer becomes the Big Print
The Big Print is based on public art events around steamroller printing during the 2008 “Thousand Print Summer,” including Northern Lights’ The UnConvention during the Republican National Convention. The resulting prints by 1180 kids and adults are now installed at St. Olaf in NorthField, MN. Congratulations ArtOrg! Join the celebrations at the Big Print Block Party 2 to 4 pm, Sunday, November 21, 2010, in Buntrock Commons, St. Olaf College.
Watch Art(ists) On the Verge @ the Spark Festival
“Where Stefanich’s and Philips’ pieces are inward-turning, looking at the relations of human beings to each other, to memory, to the past, the works of Arlene Birt and tectonic industries (Lars Jerlach and Helen Stringfellow) turn outward, to the social and commercial spaces that constitute the public matrix in which we all swim.”
“Electronica and virtuality bring us, again, to the root questions of humanness: Can we create our selves? Can we create our own world? Are we at the mercy of our creations? Are they, rather, under our control? What do we want from what we make?”–Ann Klefstad
Smiles per hour
“Are we a friendly folk here in Port Phillip? Do we smile or say ‘Hi’ to our neighbours and strangers as we walk down the street? Do we even make eye contact, or do we hurry down our street hoping no one will talk to us? In 2005, a survey of residents across our 7 neighbourhoods found that many people yearned for a friendlier neighbourhood, but didn’t know where to start. Some admitted that they also avoided eye contact and a smile with others in their streets.”–via
Art(ists) on the Verge, 2010: The Inside and the Outside
by Ann Klefstad
Art(ists) on the Verge is the second iteration of a fellowship program run by Northern Lights.mn with the support of the Jerome Foundation. Five artists who do interesting things with new media technology were chosen by a jury to create new works, four of which then were exhibited side by side with artists chosen to represent the visual side of the Spark Festival of electronic music and arts.
Who owns the virtual public sphere?
Definitely humorous – for a $100 contribution to Crouse’s Kickstarter campaign, he will personally take your favorite movie and use “The Moustachizer” to add moustaches to everyone in the movie. – Unlogo also raises serious issues about how the increasing commercialization and privatization of contemporary society plays out in an increasingly hybrid public space, where all your vacation photos and videos posted to Facebook (or wherever) also become augmented megaphones for the brands and logos in those “memories.”
Join me in supporting Jeff’s Kickstarter campaign for Unlogo.
Open call for networked art
Turbulence.org and Pace Digital Gallery announce an Open Call for Networked Art to be commissioned for the exhibition Turbulence.org @ PaceDigitalGallery 2. The curators are seeking works that address the notion of “Levels | Hierarchies”, as in chains of command, levels of play, stages of life, degrees of comfort… Pace Digital Gallery is, itself, distributed […]
Dialog in/of/on the tall grasses
I am thrilled to be in dialog with artist Stephen Vitiello about his exhibition Stephen Vitiello: Tall Grasses, along with Christopher Cox, exhibition curator and Executive Director of the Salina Art Center on Friday, October 29. I hope you can make it, if you are in the area.
Why nuit blanche?
Brooklyn Street Art: We’re always talking about the intersection of Street Art, Urban Art, Public Art, Performance, Projection Art – do you think that there is a growing interest among city dwellers in reclaiming public space for art?
Community photo night University Avenue Project
The Community Photo Night
This Sunday, October 10, 6:30 pm
The University Avenue Project(ion) Site on 1433 University Avenue, across from Walmart
Come see photos and video taken by community members!
There’s still time to submit your photos-absolute deadline is this Sat, 6 pm! (See info below)
Defrag his confidence
There have been numerous computational “sentence generators” since at least Joseph Weizenbaum’s Eliza program, including one of my all time favorites, David Rokeby’s Giver of Names. What seems particularly successful about Janet Zweig’s latest public art project, Lipstick Enigma, which mixes the language of engineering with the language of beauty advertising, is precisely how intelligible – and humorous – her sentences are. Some examples:
Map me if you will
This is an open call for Pixelache Helsinki 2011
“By the mere fact of living an ordinary modern urban life, we produce a huge amount of information about ourselves that we are hardly aware of, nor we usually see or make use of. Through this data we become traceable, accessible, predictable — and clearly enough — ideal clients of information-based capitalism. So if we cannot prevent the production and the corporate or governmental use of this data without changing our lifestyle completely, how can we at least benefit from it ourselves? How can we share this information with the society at large or the community we live in to our common advantage? And how could we even build systems ourselves that collect data for our own purposes?”
The deadline for proposals is Monday 8 November 2010. The application form can be found here.
RFQ by this Friday for St. Paul public art
The City of Saint Paul seeks artists to design and create public artworks that will be integrated into the new Penfield development in downtown Saint Paul. The Penfield is a new six story mixed-use development that will cover the block bounded by Tenth, Eleventh, Robert and Minnesota Streets, across I-94 from the Minnesota State Capitol […]