Contemporary art is increasingly “untethered” and moves from the white cube of the gallery to any site – including the virtual – to engage the public in its own realm. Public art is an ever-expanding field of inquiry, with artists of all stripes exploring the public realm. Beyond murals, monuments, memorials (and the occasional mime) public art has become a vibrant and engaging practice. From the spectacular to the quotidian, permanent to ephemeral, sited to virtual, material to performative, conceptual to cinematic, we believe there are unprecedented opportunities for new art practices in our shared environment. This is the critical focus of Public Address.
How to Build a Voice Box I: Dunce Caps into Megaphones
Join Futurefarmers on Saturday for part of their residency “A People without a Voice Cannot Be Hear.”
Calling all builders, tinkerers, sound artists, collaboratives, inventors, electronic hackers, artists
Futurefarmers is seeking a team to lead a two-day, hands-on workshop
Deadline for Submissions: June 25th, 2010
Sabrina Raaf, A Light Green Light
If you are in Southern California this weekend, stop in and see Sabrina Raaf’s exhibition A Light Green Light: Toward Sustainability in Practice, which I curated for the gallery@calit2, before it closes June 4.
I just returned from San Jose working on the 2010 01SJ Biennial where, among other projects, I worked with Jaime Austin and Shona Kitchen to install “Small Wonders,” a cabinet exhibition based on the idea of the wunderkammer at the new expansion of the San Jose International Airport – which has some amazing public art, and you should definitely fly through there next time you come to the Bay Area.
Small Wonders includes work by Saul Becker, Jim Campbell, Center for PostNatural History, Peter Chilvers and Sandra O’Neill, Beatriz da Costa, Amy Franceschini, Ken Goldberg and Karl F. Böhringer, Tad Hirsch, Misako Inaoka, Natalie Jeremijenko, Eduardo Kac, Erik Klein, Robert J. Lang, Christopher Locke, Frank Oppenheimer, John F. Simon, Jr., SuttonBeresCuller, Stephanie Syjuco, Daina Taimina, and Gail Wight.
Is precedent important?
This project looks great, and I’m excited to see it, but I do hope that by launch time there is at least some acknowledgment of Kit Galloway and Sherrie Rabinowitz’s pioneering Hole In Space (1980) project between LA and New York, which informed their LA Olympics original Electronic Cafe (1984), which had some of the same explicit goals of creating virtual discourse and sociability between geographically divided neighborhoods.
Call for volunteers
Get involved with The University Avenue Project
Photographs by Wing Young Huie are installed over 6 miles of University Avenue in Saint Paul for The University Avenue Project…an extraordinary public exhibition that is on display in storefronts and on building facades May 1 – October 31, 2010.
At the center of the exhibit is The University Avenue Project(ion) Site, located at 1433 University Avenue. On a nightly basis beginning at dusk, Wing’s photographs are projected on 40’foot screens, accompanied by a soundtrack from local musicians. The last Saturday of each month, we invite local talent to take the stage for The University Avenue Project Cabarets.
We are currently recruiting volunteers for the May 29th Cabaret and for the nightly show at The University Avenue Project(ion) Site
Art-a-Whirl this weekend
Arlene Birt – Visualizing sustainability.An in-store grocery products tracking system
Kyle Phillips – Empathetic Architecture. An interactive exploration of previous inhabitants in a space
Janaki Ranpura – Egg Alley Cat bike race. Interactive costumes
Tyler Stefanich – Exploring strategies for interpretation of the digital cultural archive
tectonic industries – The Oprah Winfrey Show. We watch so you don’t have to
Art(ists) On the Verge will again be participating in the Art-a-Whirl Open Studio and Gallery Tour in the historic Thorp Building on Central Avenue, this Friday, May 14 – Sunday, May 16. Works-in-Progress Arlene Birt – Visualizing sustainability.An in-store grocery products tracking system Kyle Phillips – Empathetic Architecture. An interactive exploration of previous inhabitants in […]
ASL for crane operators
Installing University Avenue Project(ion) site from Steve Dietz on Vimeo. Frank Frattalone was operating the crane, “Red” was directing, and John Hock and crew came down from Franconia Sculpture Park to assist with the rigging. It would have been impossible without you. Thanks.
Call for workshop leader for Futurefarmers project
This project is part of A People without a Voice Cannot Be Heard, a month-long project by Futurefarmers co-commissioned and co-presented by Northern Lights.mn and the Walker Art Center for the Walker’s Open Field initiative this summer.
Deadline May 25. More information.
A People without a Voice Cannot Be Heard
Three Futurefarmers (Amy Franceschini, Michael Swaine, and Dan Allende, a new farmer who worked as an intern on the Reverse Ark project in Baltimore) came to Minneapolis to prep for their summer project A People Without a Voice Cannot Be Heard, which is being co-curated and co-presented by Northern Lights.mn and the Walker Art Center. Northern Lights artistic director Steve Dietz sat down with Amy and Michael to discuss their upcoming project after three days of meetings with Walker staff, local artists, and potential community collaborators.