Contemporary art is increasingly “untethered” and moves from the white cube of the gallery to any site – including the virtual – to engage the public in its own realm. Public art is an ever-expanding field of inquiry, with artists of all stripes exploring the public realm. Beyond murals, monuments, memorials (and the occasional mime) public art has become a vibrant and engaging practice. From the spectacular to the quotidian, permanent to ephemeral, sited to virtual, material to performative, conceptual to cinematic, we believe there are unprecedented opportunities for new art practices in our shared environment. This is the critical focus of Public Address.
Sign of desires
“[F]or the next month our billboard will be used to list some of the big and small needs we have at the waffle shop. If you bring in one of the things we need, we will create a special display with your name next to the thing you bring in, and add a new item to the billboard list as we always seems to be in the need of something.”–The Waffle Shop
Re Re-discovering the center
“Sociologist William Whyte’s late twentieth-century clarion call for a “rediscovery of the center” asked us to reconsider centralized, dense public spaces rich with unexpected encounters and “maximum choice”. His appeal still echoes, but against radically different conditions. Notions of density, the public and private realms, and the experience of urban space have been re-inscribed in the purview of networked culture — the decentralized, layered, re-publicized and de-privatized conditions of virtual cooperation, coordination, and performance. The explosion of mobile media has transformed understandings and experiences of mobility and presence for technology users and non-users alike. Our social, cognitive, industrial, geographic, and economic experiences and systems have become severed or skewed from traditional anchors and re-oriented within network culture.”
Taiwan Public Art Installation Project Competition
How to Build a Voice Box I: Dunce Caps into Megaphones
Join Futurefarmers on Saturday for part of their residency “A People without a Voice Cannot Be Hear.”
Calling all builders, tinkerers, sound artists, collaboratives, inventors, electronic hackers, artists
Futurefarmers is seeking a team to lead a two-day, hands-on workshop
Deadline for Submissions: June 25th, 2010
Sabrina Raaf, A Light Green Light
If you are in Southern California this weekend, stop in and see Sabrina Raaf’s exhibition A Light Green Light: Toward Sustainability in Practice, which I curated for the gallery@calit2, before it closes June 4.