Tag Archive for "exhibition"

All promo videos for an exhibition should be this entertaining!

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Actions: What You Can Do With the City Canadian Centre for Architecture Actions: What You Can Do With the City presents 99 actions that instigate positive change in contemporary cities around the world.

Actions: What You Can Do With the City Canadian Centre for Architecture Actions: What You Can Do With the City presents 99 actions that instigate positive change in contemporary cities around the world.

I’m thinking of taking up #41 Guns Seed Vacant Lots this spring.

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Sabrina Raaf, Translator II Grower

Sabrina Raaf, Translator II Grower

The gallery@calit2 goes green this spring with an exhibition by Chicago-based artist Sabrina Raaf, whose custom-built robotic sculptures and site specific installations include a series of experiments that address issues of sustainable practice, the construction of social spaces, and prototyping for modular green architecture. Curated by Steve Dietz, “A Light Green Light: Toward Sustainability in Practice” opens Friday, April 2, 2010, with a 6 p.m. panel discussion moderated by UC San Diego visual arts professor Jordan Crandall, followed by a reception.

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Paul Pfeiffer, Cross Hall (2008), Wall-recessed mixed media diorama, peephole, live video feed projection. Dimensions variable. Installation view courtesy of Carlier Gebauer. Photo by Bernd Borchardt. Collection of Sammlung Goetz, Munich.

Paul Pfeiffer, "Cross Hall (2008)," Wall-recessed mixed media diorama, peephole, live video feed projection. Dimensions variable. Installation view courtesy of Carlier Gebauer. Photo by Bernd Borchardt. Collection of Sammlung Goetz, Munich.via Switchboard

Looks like a great line up for a panel with a ho-hum title “Confounding Expectations X: Photography in Context The Projected Photograph” at the Vera List Center this Thursday – George Baker, Andrea Geyer, Paul Pfeiffer, and Krzysztof Wodiczko.

This panel will explore the multiple ways in which contemporary artists have utilized projection and installation strategies to display still photographic images, creating immersive and cinema-like experiences in museum and gallery environments.”

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AOV alum

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Christopher Baker, Hello World! at Franklin Arts in Artcetera

Christopher Baker, Hello World! at Franklin Arts in Artcetera

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Exciting!

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Installing FEEDFORWARD – The Angel of History

Barbara Fluxa's "Car project, excavating XX century´s end," at the entrance to the exhibition, overlooking the lower floor, Chris Baker's "Hello World! ! or: How I Learned to Stop Listening and Love the Noise"

Barbara Fluxa’s “Car project, excavating XX century´s end,” at the entrance to the exhibition, overlooking the lower floor, Chris Baker’s “Hello World! ! or: How I Learned to Stop Listening and Love the Noise”

Installing FEEDFORWARD – The Angel of History

Jeff Crouse working on programming for "Invisible Threads" with Stephanie Rothenberg.

Jeff Crouse working on programming for “Invisible Threads” with Stephanie Rothenberg.

Installing FEEDFORWARD – The Angel of History

System77 Consortium, "ALL THAT IS SOLID MELTS INTO AIR!" (3 drones)

System77 Consortium, “ALL THAT IS SOLID MELTS INTO AIR!” (3 drones)

Installing FEEDFORWARD – The Angel of History

Overlooking Carlos Motta's "The Good Life" and Chris Baker's "Hello World!" fromthe first floor.

Overlooking Carlos Motta’s “The Good Life” and Chris Baker’s “Hello World!” fromthe first floor.

Installing FEEDFORWARD – The Angel of History

Piotr Szyhalski's audio work "White Star Cluster" is in the interstitial space between floors.

Piotr Szyhalski’s audio work “White Star Cluster” is in the interstitial space between floors.

Installing FEEDFORWARD – The Angel of History

Hang scrim for Margot Lovejoy's "Storm Over Paradise."

Hang scrim for Margot Lovejoy’s “Storm Over Paradise.”

Installing FEEDFORWARD – The Angel of History

"Walls" of doubled scrim materials divide the space at LABoral but allow for a more synoptic gaze of the exhibition.

“Walls” of doubled scrim materials divide the space at LABoral but allow for a more synoptic gaze of the exhibition.

Installing FEEDFORWARD – The Angel of History

Through scrims, looking at a projection of Hasan Elahi's "Tracking Transience - A Month of Sundays."

Through scrims, looking at a projection of Hasan Elahi’s “Tracking Transience – A Month of Sundays.”

Installing FEEDFORWARD – The Angel of History

Another view of System77 Consortium's "ALL THAT IS SOLID MELTS INTO AIR!"

Another view of System77 Consortium’s “ALL THAT IS SOLID MELTS INTO AIR!”

Installing FEEDFORWARD – The Angel of History

Hasan Elahi plugged in.

Hasan Elahi plugged in.

Installing FEEDFORWARD – The Angel of History

Stephanie Rothenberg and Jeff Crouse, "Invisible Threads."

Stephanie Rothenberg and Jeff Crouse, “Invisible Threads.”

Installing FEEDFORWARD – The Angel of History

AES+F, "Last Riot"

AES+F, “Last Riot”

Installing FEEDFORWARD – The Angel of History

Looking from the back of the gallery past "Invisible Threads" toward "Tracking Transience"

Looking from the back of the gallery past “Invisible Threads” toward “Tracking Transience”

Installing FEEDFORWARD – The Angel of History

Piotr Szyhalski's "Labor Camp Study Room D" (far wall)

Piotr Szyhalski’s “Labor Camp Study Room D” (far wall)

Installing FEEDFORWARD – The Angel of History

Looking past "be prepared! tiger!" by Knowbotic Research + Peter Sandbichler

Looking past “be prepared! tiger!” by Knowbotic Research + Peter Sandbichler

Installing FEEDFORWARD – The Angel of History

Hasan Elahi's "Instances of Use of United States Armed Forces Abroad, 1798-2006" with Fluxa's "Car project, excavating XX century´s end"

Hasan Elahi’s “Instances of Use of United States Armed Forces Abroad, 1798-2006″ with Fluxa’s “Car project, excavating XX century´s end”

Installing FEEDFORWARD – The Angel of History

Detail of bullets impacted in plexi for "Instances of Use of United States Armed Forces Abroad, 1798-2006"

Detail of bullets impacted in plexi for “Instances of Use of United States Armed Forces Abroad, 1798-2006″

Installing FEEDFORWARD – The Angel of History

Harwood, Wright and Yokokoji, Tantalum Memorial - Residue

Harwood, Wright and Yokokoji, Tantalum Memorial – Residue

Installing FEEDFORWARD – The Angel of History

Naeem Mohaiemen, "Live True Life or Die Trying"

Naeem Mohaiemen, “Live True Life or Die Trying”


Good progress installing FEEDFORWARD – The Angel of History at LABoral. Lots of artists in town now. Crew doing a remarkable job.

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Installing FEEDFORWARD

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Installation view, FEEDFORWARD, LABoral

Installation view, FEEDFORWARD, LABoral

We are working with Angel Borrego of the Office for Strategic Spaces for the exhibition design. The space will be divided by a series of translucent scrims, with projection screens embedded in them as necessary. I’m excited – and nervous – to see how this looks on Monday, but in the meantime, LABoral sent some pictures of the installation progress.

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Good work…”

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“Art(ists) on the Verge: 2008-2009 Northern Lights/Jerome Emerging Artists Commissions runs through August 23, and anyone who is anywhere near Minneapolis should take an afternoon to see it.”

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Tomorrow night, Thursday, July 9, from 8-10 pm, there will be an opening reception at the Weisman Art Museum for Art(ists) On the Verge: Avye Alexandres, Aniccha Arts (Pramila Vasudevan, Mark Fox, Jennifer Jurgens, Mike Westerlund), Christopher Baker, Kevin Obsatz, Andrea Steudel, Krista Kelley Walsh

Opening Night Performances

8:30 pm Krista Kelley Walsh, Public Eye Action, Northrop Mall and Weisman Art Museum
9:00 pm Aniccha Arts will perform an excerpt of Cloud Turn, Weisman Art Museum
9:30 triquetera, an allegorical exercise. Andrea Steudel and David Steinman with sounds by John Keston present an original outdoor video performance on the facade of the Weisman Art Museum

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This article originally appeared in the catalog for the Greater Minneapolis 08 show at the Soap Factory this fall. Curated by Patty Healy McMeans and Christopher Dela Pole, the exhibit showcased the work of 22 Minneapolis-based artists. The six artists discussed here each practice a form of public and/or performative artmaking.

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