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Public Address is a platform for wide-ranging discussion of innovative projects, and practices. Read here for news, announcements, and postings and sign up for our e-newsletter here.

Contemporary art is increasingly “untethered” and moves from the white cube of the gallery to any site – including the virtual – to engage the public in its own realm. Public art is an ever-expanding field of inquiry, with artists of all stripes exploring the public realm. Beyond murals, monuments, memorials (and the occasional mime) public art has become a vibrant and engaging practice. From the spectacular to the quotidian, permanent to ephemeral, sited to virtual, material to performative, conceptual to cinematic, we believe there are unprecedented opportunities for new art practices in our shared environment. This is the critical focus of Public Address.

Riding modern art in public places

Author
mediachef
Post
01.2.2010
raphael zarka, riding modern art. via DesignBoom

raphael zarka, "riding modern art. via DesignBoom

It comes as no surprise that skaters and others use public art in many different ways. Just as public art itself can be an aggressive territorialization of space. The suite of photographs, “Riding Modern Art,” by Raphael Zarka at DesignBoom based on an upcoming exhibition at the french cultural center in milan, however, is particularly enjoyable for “decisive moment-ness,” which is at once frozen and viscerally vertiginous.

Forecast Public Art Annual Grant Program – Deadline February 6th

Author
Northern Lights.mn
Post
12.21.2009

Forecast’s annual grant program supports emerging, visual artists and interdisciplinary teams led by visual artists residing in the state of Minnesota.
These grants provide artists the chance to develop and create projects for a public audience anywhere in the state, receive increased recognition, and advance their artistic careers.A limited amount of consulting and/or facilitation time is provided by Forecast Public Art staff.

New in 2010, Forecast is excited to announce new funding opportunities
with three of Minnesota’s Regional Arts Councils!

AOV2 fellows selected!

Author
mediachef
Post
12.18.2009

Interactive green shopping, empathetic architecture, an egg racing an alley cat, browser history walks, and everything you need to know you can learn from Oprah. All this and more from the new Art(ist) On the Verge fellows. Check them out.

Yas hotel

Author
mediachef
Post
12.16.2009
The Yas Hotel by Asymptote Architecture with lighting design by Arup. via Inhabitat

The Yas Hotel by Asymptote Architecture with lighting design by Arup. via Inhabitat

“The Yas Hotel is a wrapped with a sparkling shell composed of more than 5,300 diamond-shaped panels bristling with over 5,000 LED fixtures. The curvilinear field of lights is capable of running color-changing light sequences and can even display low-res three-dimensional videos.”

If pigs could fly

Author
Northern Lights.mn
Post
12.16.2009

Doo-Sung Yoo, Pig Bladder Clouds
I saw friends and strangers conversing, trying to decide what they were seeing and how they were affected by the presence of these flying objects. I think the most interesting experience was how you found yourself cautious to walk onto the grass of the square. As the crowds began to gather, it felt as if there was a communal acknowledgment that we were witnessing something sacred, and the space needed to be respected.

C02 Cube

Author
mediachef
Post
12.9.2009
Christophe Cornubert, The CO2 Cube in Copenhagen. Credit: Joshua Brott. via Culture Monster

Christophe Cornubert, The CO2 Cube in Copenhagen. Credit: Joshua Brott. via Culture Monster

“In Copenhagen, where the United Nations’ summit on global warming is currently underway, artists unveiled on Monday what they are calling ‘The CO2 Cube,’ a three-story site-specific artwork that was designed by L.A.-based architect Christophe Cornubert.” — David Ng via Culture Monster

Doug Aitken, “Frontier”

Author
mediachef
Post
12.8.2009

Doug Aitken, Frontier

Rome is finally giving proper space to contemporary art. Not only between the walls of galleries and other traditional venues, but also in the streets, hosting new buildings (Zaha Hadid’s new MAXXI museum and Odile Decq’s expansion for Macro, to open in spring 2010), performances and open-air installations.

Doug Aitken’s Frontier is the latest evidence of this new deal: a spectacular video work installed on the Isola Tiberina, a natural island located in the very heart of the city, emerging from the river. After the end of the show, the work will be donated to Rome’s contemporary art museum (Macro), where it will be visible next year.