Exciting!

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Barbara Fluxa's "Car project, excavating XX century´s end," at the entrance to the exhibition, overlooking the lower floor, Chris Baker's "Hello World! ! or: How I Learned to Stop Listening and Love the Noise"
Jeff Crouse working on programming for "Invisible Threads" with Stephanie Rothenberg.
System77 Consortium, "ALL THAT IS SOLID MELTS INTO AIR!" (3 drones)
Overlooking Carlos Motta's "The Good Life" and Chris Baker's "Hello World!" fromthe first floor.
Piotr Szyhalski's audio work "White Star Cluster" is in the interstitial space between floors.
Hang scrim for Margot Lovejoy's "Storm Over Paradise."
"Walls" of doubled scrim materials divide the space at LABoral but allow for a more synoptic gaze of the exhibition.
Through scrims, looking at a projection of Hasan Elahi's "Tracking Transience - A Month of Sundays."
Another view of System77 Consortium's "ALL THAT IS SOLID MELTS INTO AIR!"
Hasan Elahi plugged in.
Stephanie Rothenberg and Jeff Crouse, "Invisible Threads."
AES+F, "Last Riot"
Looking from the back of the gallery past "Invisible Threads" toward "Tracking Transience"
Piotr Szyhalski's "Labor Camp Study Room D" (far wall)
Looking past "be prepared! tiger!" by Knowbotic Research + Peter Sandbichler
Hasan Elahi's "Instances of Use of United States Armed Forces Abroad, 1798-2006" with Fluxa's "Car project, excavating XX century´s end"
Detail of bullets impacted in plexi for "Instances of Use of United States Armed Forces Abroad, 1798-2006"
Harwood, Wright and Yokokoji, Tantalum Memorial - Residue
Naeem Mohaiemen, "Live True Life or Die Trying"

Good progress installing FEEDFORWARD – The Angel of History at LABoral. Lots of artists in town now. Crew doing a remarkable job.