Northern Spark 2022

NORTHERN SPARK 2022: WHAT THE WORLD NEEDS NOW 

THE 11TH ANNUAL NORTHERN SPARK FESTIVAL LIGHTS UP ST. PAUL WITH SOUL-FUELING ART AND COMMUNITY ALL-NIGHT ON JUNE 11

(Minneapolis, MN) February 16, 2022 — Northern Lights.mn announces the all-night, in-person participatory Northern Spark art festival this summer exploring the theme, “What the World Needs Now.” This year’s festival will take place along University Avenue and downtown in St. Paul, MN on Saturday, June 11, 2022 from 9 pm – 2 am. A Closing Event will follow from 2 am – 5:30 am on Raspberry Island in downtown St. Paul along the Mississippi River.

Northern Spark will return to the Rondo, Frogtown and Little Mekong neighborhoods near University Avenue and downtown in St. Paul, as well as the Mississippi River to shine a spotlight on the beauty and richness of these communities. Art projects will take many forms, including performance, hands-on and participatory art-making, and sound and sculpture installation, all responding to the theme, “What the World Needs Now.” This year’s activities will include art projects at Victoria Theater Arts Center, Springboard for the Arts, Rondo Community Library, and the Minnesota Museum of American Art, building upon ongoing partnerships with these organizations.

THE THEME: WHAT THE WORLD NEEDS NOW

The festival theme, “What the World Needs Now,” was created by the 2022 Artist Council with Northern Lights.mn.

Artists are truth tellers, dreamers, seekers of imagination. Between the ever-present uncertainty of our times and the impossible tangibility of the future, we wonder: What does the world need now?

Some may already be singing, “What the world needs now is love, sweet love.” These lyrics ring true as an anthem for our times. We all need love, but perhaps your answer to this statement is, poetry projected on every building, clean water for all who inhabit this earth, a sing-a-long in a local park, or endless bubbles shining iridescent in the sun. One thing is for certain: we know we will always need art to fuel our souls.

Returning to the one-night, all-night festival

In 2022, Northern Spark returns to the structure of its roots — a one-night, dusk to dawn festival, bringing back the beloved Northern Spark experience of greeting the dawn together, outdoors, after a night of connecting through transformative art experiences.

As our cities still grapple with the effects of COVID-19, 2022 festival curators leaned into our uncertain times to support artist projects that encourage our communities to safely connect while inspiring the kind of experimental, surprising experiences we love about Northern Spark.

We are excited to announce these artists and partners for Northern Spark 2022: 

  • Eva Adderley
  • Riley Kleve and Ever Woodward
  • Pang Foua Xiong and Sandy Lo
  • Nick Knutson and Jei Harold-Zamora
  • Alia Jeraj
  • Felicia Cooper, Alex Young and Kallie Melvin
  • Sequoia Hauck and collaborators
  • Native Youth Arts Collective
  • Grupo Soap del Corazon at The Minnesota Museum of American Art
  • Frogtown Radio/WFNU, Saint Paul Almanac and SPNN
  • The 100% Campaign
  • Additional programming to be announced from venue partners Rondo Community Library, Springboard for the Arts and Victoria Theater Arts Center!

Northern Spark Background

Beginning in 2011, Northern Spark is a late-night, participatory arts festival that lights up the Twin Cities in early summer. From dusk to dawn the city surprises you: friendly strangers share a moment, glowing cyclists whirl by, unique installations pop-up in neighborhoods, and wanderers participate in experimental performances in green spaces. The glow of sunrise after a night of amazing art experiences leaves you rejuvenated.

Northern Spark’s locations, times, themes, and forms are always transforming. In 2018, the festival introduced a two-night model, so people could experience the artful magic of a festival for two nights until 2 am. In 2021, the festival took on new forms: art in the mail, online, and in person in St. Paul, MN during two weeks. This year, festival organizers are excited to return to an all-night time frame with a modified schedule.

Northern Spark is produced by Northern Lights.mn, a Twin Cities non-profit arts organization whose work ranges from large-scale public art platforms like Northern Spark to Art(ists) On the Verge, a year long mentorship program for 4 emerging artists working in public space. Northern Lights.mn supports artists in the creation and presentation of art in the public sphere, such as at St. Paul’s Union Depot (Amateur Intelligence Radio), “choir karaoke” at the Minnesota State Fair (Giant Sing Along) and Illuminate South Loop, a mini outdoor festival of nine interactive projects in Bloomington, MN’s South Loop in the days leading up to the 2018 Super Bowl. Through projects such as Aquanesia, a location-­based environmental mystery game, and large scale festivals themed around social issues, Northern Lights.mn helps audiences explore expanded possibilities for civic engagement through art.


Northern Lights.mn Telethon 2022 – Postponed


Assistant Producer – Northern Spark 2022 Job Description – Application Deadline closed

Northern Lights.mn supports artists in the creation and presentation of art in the public sphere to imagine new interactions between audience, artwork and place and explore expanded possibilities for civic engagement.

Our largest program is Northern Spark, a free, annual, late-night, multidisciplinary arts festival that takes place in June and draws thousands of Minnesotans each year. In collaboration with arts organizations and community partners, we turn the city into a surprising arts experience.  

For more information about Northern Lights.mn, visit our website: http://northern.lights.mn/.  For more information about Northern Spark, visit http://northern.lights.mn/platform_group/northern-spark/

In 2022 Northern Spark will take place at Saint Paul neighborhood sites including Victoria Theatre Arts Center, Springboard for the Arts, Little Mekong Plaza and Raspberry Island. We seek applicants with knowledge of these neighborhoods whether through living, working, or socializing there.

Since 2011, Northern Spark has created a spirit of adventure and belonging, with the help of hundreds of artists and community partners. One of our goals is to build public artmaking and production skills within the community. Production staff members are part of a dynamic team that works together to produce this beloved event.

Job Description: Assistant Producer

The Assistant Producer works with the Festival Producer to support the production process of Northern Spark. This person will work on advance planning of the festival and will independently manage the event set-up, maintenance and strike at one of our festival sites, Springboard for the Arts.

Qualified applicants should have related experience, which may include: theatrical stage management or production management, project management, event coordination, etc. Technical experience or knowledge not required, but helpful. This is a great job for someone who has live event production experience who wants to take on more pre-production responsibility and/or seeks experience working within a public art or festival context.

Compensation: $5,000

Duration: February 1 through June 30, 2022 (there is possibility of this becoming an annual position)

Estimated hours: Approximately 200 hours. Schedule varies from week to week, estimated 5-10 hours per week with more hours required during site visit, testing and event weeks. Read below for more details.

Reports to: Festival Producer

Advance work may include:

  • Attending all Northern Spark staff meetings and production meetings (bi-weekly, weekly closer to event date
  • Managing spreadsheets to track equipment, materials, artist information, etc.
  • Drafting schedules and coordinating with artists, venues and production team
  • Updating contact sheets
  • Sourcing/obtaining equipment and materials
  • Coordinating plans for infrastructure, amenities, zero waste, etc.
  • Drafting, sending and filing contracts for other production personnel
  • Attending site visits and project testings with Producer
  • Communicating with each artist/project; volunteer; and zero waste personnel to confirm final details before event date
  • Communication and coordination with function crew, as necessary
  • Additional tasks, tbd

Tasks during the festival include:

  • Maintain communications with Festival Producer and Artists, as necessary
  • Manage Volunteers and other Production personnel
  • Act as public and artistic point-of-contact for event questions or issues
  • Maintain production and logistical elements of the event including:
  • Signage
  • Restrooms
  • Trash/Recycling/Organics
  • Security personnel
  • Audience flow and safety including COVID precautions
  • Back of house space
  • Retain festival and civil documentation including schedules and permits
  • Protect festival integrity by encouraging adherence to event schedule
  • Review integrity of projects and communicate status with Producer

Post-Festival tasks may include:

  • Compiling information for production reports; finalizing spreadsheets
  • Taking inventory of equipment (tents, projectors, etc), with Crew
  • Managing returning of materials to vendors and/or storage facilities (i.e. walkie-talkies, signage, tents, etc.), with help from the Crew
  • Additional tasks, tbd

Required skills: Must be detail-oriented, organized, and able to respond quickly and problem-solve on-site. Must be able to both work independently on projects and collaboratively with other staff members and artists. Great written and verbal communication skills, self-motivated and able to adapt to changing deadlines. Experience working with Google Suite necessary. Ability to make and read maps and ground plans. Ability to work with a broad range of people within and outside the organization including artists, vendors, city employees, venue contacts, etc. Ability to work with a fast-paced schedule with overlapping project timelines. Experience managing teams of people, whether volunteers, staff members, or a combination.

Desired skills: Basic proficiency with Adobe Creative Suite or similar program to make internal production maps; experience stage managing events; experience with volunteer recruitment and management.

Physical requirements: This job involves physically active work for sustained periods of time and staying up late and alert on the event date! Applicants must also be able to lift and move objects of up to 30 lbs.

Schedule: Weekday schedule to be determined with supervisor. Some evening and weekend availability is necessary. The following dates are required:

  • Production and Staff Meetings (mostly virtual): Mondays from 1-3pm (subject to change)
  • Artist Cohort Meetings (virtual): February 9; March 9, April 13, May 11 (evenings, approximately 6-8pm)
  • Project site visits (in person): TBD evenings, February 21 – 24
  • Project test dates (in person): TBD evenings the week of May 23 – 26
  • Telethon Fundraiser (in person): April 20 (all day rehearsal + evening live event)
  • Production week (virtual and in person): Must be available full time June 6-10
  • Festival weekend (in person): TBD hours / all day June 11 until approximately 4am on June 12

Required equipment: Computer with reliable internet access for virtual meetings and independent work. Must have reliable transportation for travel between festival sites across Saint Paul and to run errands.

COVID requirements: with abundant caution and care for our community, all festival staff must show proof of vaccination (including boosters, as applicable) and be prepared to wear a mask when the team collectively determines it’s necessary during the shifting state of the pandemic. Please consider this prior to applying. 

To apply: submit cover letter, resume or CV, and 3 references by December 21 to erin@northern.lights.mn

Deadline for this application has closed

Download Job Description PDF here.


Northern Spark 2022 Open Call for Participatory Installations


Northern Spark 2022 Open Call for Festival Closing Event


Support Northern Lights.mn to the Max

​​Your support raises us up! 


Northern Spark 2022 Theme and Open Calls

Northern Spark 2022: What the World Needs Now 


Get to know AOV11 artist, A.P. Looze

A.P. Looze (they/them) is a multi-disciplinary artist who surrenders to the unknown and believes in the healing power of the divine. For AOV11, Looze will expand upon a practice derived through the pandemic by creating a month-long immersive ceremony that will illuminate ancestral, descendant, and earth wisdom channeled through the medium of a flower: the rose. Stay tuned for information on how to sign up for a private session in the installation during the month of September. 

Here are a few questions we asked A.P Looze to get to know a little more about him and his project.

1.How does your Artist on the Verge project intersect with your larger body of work and artistic interests?

I feel like my work spans a wide spectrum of emotions and styles, but at the core of each of my pieces is a devotion to healing through embodiment and love.

Right now I am invested in using my artistic practice as a platform to tend to the wounds of intergenerational trauma inherited through the disembodying and loveless violences of whiteness. I ask myself: what do I need to do to interrupt the trauma?

2.How can the act of making art work and the work itself serve as that interruption?

One element of that process for me is creating space for ritual that tends to this pain, and that calls forth love as a healing force. My AOV project is essentially the culmination of a daily ritual of beading rosehips and invoking the wisdom of my ancestors and the wisdom of roses. I learned that the love of my ancestors is always around me and that the rose itself symbolizes love. In Catholicism the rose is a symbol for Mary.  And if you dig deeper into history, Mary is a representation of mother earth. Stringing these rosehips, ingesting the water they soaked in, and administering a daily dose of wild rose flower essence has been an embodied experiment in channeling love.

3. What was your favorite part of envisioning and working on this project?

This project has taken so many twists and turns throughout the pandemic. Things began to settle for me when I realized that this beading practice was potentially a practice of my long ago European ancestors–I’m talking pre-christian, even paleolithic. Long long ago, beads made from flowers and seeds were strung to honor the mother goddesses. Something sent chills up my spine when I made that connection. The contemplative nature of the practice allowed messages and songs inspired by my ancestors and the rose to flow through me. I will be incorporating those messages into the installation in a couple of ways.

Through further research, I came to understand how much paganism and more ancient earth-based spiritual practices survived covertly within the Catholic church. While in christian religions it is more customary to pray upward toward a transcendental god, or upward toward statues of Mary etc., the rosary feels counter to that. It is held in your hands when you pray. The overall energy of prayer feels downward and internal. Even portions of the Hail Mary prayer are derived from pre-christian times. It feels like an ancient earth-based relic that miraculously survived the violent expansion of the Catholic church. And, as I was beading one day, a voice came through that said, “it’s all about touch.” I’ve literally touched every part of this project–I’ve harvested the rosehips from bushes in my neighborhood, I’ve strung every single rosehip, I harvested the rose flowers to make flower essence. There’s something about being in literal contact with the earth that is so essential for healing my relationship to this place and to my white lineage.

4. People are invited to view your installation on xx September xx from 5-7:30.  What do you hope people will take away from the piece?

While I can never control what people will think, my hope is that people may walk away with their own thoughts or reminders of how to connect to their own ancestors. I hope people may think of rituals that they wish to practice that connect them to their lineage and this earth. Perhaps this will inspire people to connect with a specific part of the land in a reverential way.


Get to know AOV11 artist, Kelley Meister

Kelley Meister (ze/hir) is an interdisciplinary artist who uses drawings, sculpture, and time-based art to build transformative experiences and environments that encourage empathy through a shared emotional experience or exploration. Stay tuned to hotzone.kelleymeister.com for updates, to learn more, and hop on the ride!

Here are a few questions we asked Kelley Meister to get to know a little more about ze and hir project.

1. How does your Artist on the Verge project intersect with your larger body of work and artistic interests?

Over the course of the extended AOV Fellowship, the world shifted in unexpected ways. Fear and uncertainty became ever present in my life. It began with watching the shelves rapidly empty in the stores. As an artist who has worked with and about fear for over a decade, I knew my work had something to offer to this moment. But for much of the fellowship period, I was paralyzed and unsure. I couldn’t access the distance I realized was required in order to find the artistic antidotes for myself, to find the ways to work through and with the fear. I felt immense guilt for not showing up on my studio days week after week as the pandemic wore on followed by the uprising that shook the cities. Eventually last winter, I found a new working pattern, one that was slower, more introspective, and deeply personal.

Drawing on much of what I created in the first year of AOV work, I exhibited Fallout Shelter, a site-specific subterranean installation at Hair+Nails Gallery in April 2021. In the installation were over 100 canned good ceramic replicas (13 of which were created by co-fellows and our mentors during the first AOV critique), wallpapered photo-collages of over-sized cans taken during the the first few months of the fellowship while overseas, a VHS video and sound piece, and a collaborative Fear Scale created through audience-participation (also created for the first AOV critique). Three large painted wall texts acknowledged our collective contemporary and ancestral grief, ongoing fear, and gratitude to the Dakota and Anishinaabe for stewarding the land on which the gallery and my home are located before, throughout and despite the ongoing occupation of white settlers, myself included. These Acknowledgments were workshopped with the care and feedback of my AOV cohort.

For the culmination of the AOV project, I am launching a long-term investigation of the 100-mile stretch of land and water between the two nuclear power plants in Mni Sota, so-called Minnesota, at Prairie Island and Monticello. 

First, there is a sculptural component of windsocks that call attention to the wind that moves particulates, smoke, dust, pollen, seeds, insects, and more through the 100-mile space. The wind disperses what is here, while also depositing small artifacts from along its route. These windsocks will be installed at various points throughout the 100-mile HOTZONE area throughout the month of September. A trio of windsocks will also be installed at Patrick Eagan Park in Eagan, MN, from Sep 11-Oct 28.

Additionally, I am creating a participatory online platform that explores our proximity to nuclear waste through data collection, drawing and visual observation, bicycle rides and other mobile endeavors, environmental radiation monitors, and connections between people. You can find it at hotzone.kelleymeister.com and submit your own drawings/photographic observations there. On Saturday, September 25, I will host an informal gathering for others to join me in looking closely at the ecosystem in a small oak savanna lying adjacent to the Hahawakpa / Gitchi Ziibi / Mississippi River. From 2-4pm, come anytime to sit and draw. Bring a camera, drawing materials, something to sit on (if desired) and water/snacks for yourself. We will be looking closely at the plants and small creatures of the habitat, creating a document of their lives in this location on this date, to be added to the website. Look out for future gatherings and ongoing updates on the website (hotzone.kelleymeister.com) or on my social media (IG: @__kel.ley__, FB: @kelley.shipwreck).

More details:

WHAT: HOTZONE: Observe & Draw Together: a small, informal gathering to look closely at the plants and sessile (limited movement and/or immobile) creatures (e.g., bugs, insects, macroinvertebrates, etc.) in and near the river

WHEN: 9/25 (Rain date 9/26) 2-4pm

WHERE: Oak Savanna at East 36th St and W River Parkway in Minneapolis

BRING: something to sit upon if you want (sheet, portable chair, etc); drawing materials*; water/snacks for yourself

*small notebooks and pencils will be provided if you want/need one

COVID PRECAUTIONS: outdoor social distancing should be easy to manage, masks are encouraged especially when talking to others

LOOK FOR: windsocks

2. What was your favorite part of envisioning and working on this project?

I have appreciated all of the ways that I am becoming more familiar with the land, water, and people of this 100-mile stretch. It is a slow process that engages my full senses. I have long had a fondness for the great river, Hahawakpa / Gichi Ziibi / Mississippi that travels a long path from the northwoods down to the gulf. It holds many stories in its waters, provides drinking water for millions, and has drawn people to it for millenia. The river also tells the story of the white supremacist industrial captialism on which this country was built. Along the shores of this great river are numerous power plants, factories, and our homes, all polluters. Oil and gas pipelines criss-cross it, with more continuing to be built. 21 nuclear power plants stand alongside it and its tributaries; 2 here in Mni Sota. All store 100% of their radioactive waste onsite. I am humbled by the magnitude of the river in so many ways. And I am excited to explore the minutia, the details, the smallest parts of it right here as part of this project.

3. People are invited to submit XXX, XXX, and XXX to your website. As the project grows, As the project grows, what do you hope people will take away from the piece?

People are invited to submit drawings, photos, and Geiger counter readings to the website (hotzone.kelleymeister.com) via email: hotzone@kelleymeister.com and/or tagging them on social media with #MNhotzone – directions are also on the website. Include location and date/time with the photo/drawings.

I hope that this work brings new awareness to our environment and to the delicate microcosm around us. Many people are surprised to hear that there are 2 nuclear power plants just outside the Twin Cities along the Hahawakpa / Gichi Ziibi / Mississippi River. By taking time to look closely at the ecosystem along the river, I hope this work opens up space for deeper observation and contemplation. As we gather data within the HOT ZONE, I hope that we can use this information to be proactive in our efforts to protect the river and the life around and within it. Observation is one tool in the toolbox that will help us gather data and learn more about the threats to our environment, from pipeline and railroad chemical, oil, and diesel spills to radioactive releases from the nuclear power plants. Over time, the effects of these damages may become clearer, and I hope that this will empower us to call for a change in course as well as to come together as a community to devise potential ways to protect ourselves and our environment from these threats.