How to Build a Voice Box I: Dunce Caps into Megaphones

Join Futurefarmers on Saturday, August 7, for part of their residency “A People without a Voice Cannot Be Hear.”

Futurefarmers, A People without a Voice Cannot Be Heard

Small paper megaphones will be made by the general public. Posters will be printed with a template for the megaphone form and a space for people to write a statement they wish to shout or whisper.

Alongside the public making workshop, Futurefarmers + core group will be building a large, mobile multiple person megaphone.

http://calendar.walkerart.org/event.wac?id=5758
http://www.futurefarmers.com/buildingavoicebox/workshops.html#0807
https://northern.lights.mn/programs/futurefarmers/

And come to the 01SJ Biennial in September for more Futurefarmers’ Sunshine Still / Speak Hard.


AOV2 @ Art-a-Whirl


Art-a-Whirl this weekend

Northern.Lights.mn, Art(ists) On the Verge, works-in-progress @ Art-a-Whirl

Art(ists) On the Verge will again be participating in the Art-a-Whirl Open Studio and Gallery Tour in the historic Thorp Building on Central Avenue, this Friday, May 14 – Sunday, May 16.

Works-in-Progress

Arlene Birt, tectonic industries, Kyle Phillips, Janaki Ranpura, Tyler Stefanich

Arlene Birt Visualizing sustainability.An in-store grocery products tracking system
Kyle PhillipsEmpathetic Architecture. An interactive exploration of previous inhabitants in a space
Janaki RanpuraEgg Alley Cat bike race. Interactive costumes
Tyler Stefanich – Exploring strategies for interpretation of the digital cultural archive
tectonic industriesThe Oprah Winfrey Show. We watch so you don’t have to

1618-1620 CENTRAL AVENUE NE . MINNEAPOLIS . MN 55413

1618-1620 CENTRAL AVENUE NE . MINNEAPOLIS . MN 55413


Call for workshop leader for Futurefarmers project

Futurefarmers, call for workshop proposals.

Futurefarmers, call for workshop proposals. A two-day workshop with a core group of art and design students building “Voice Boxes”. The core group will be able to bring materials and supplies if you organize with them beforehand.

This project is part of A People without a Voice Cannot Be Heard, a month-long project by Futurefarmers co-commissioned and co-presented by Northern Lights.mn and the Walker Art Center for the Walker’s Open Field initiative this summer.


A People without a Voice Cannot Be Heard

Futurefarmers, A People without a Voice Cannot Be Heard

Futurefarmers, A People without a Voice Cannot Be Heard, co-presented by Northern Lights.mn and Walker Art Center, August 2010

Futurefarmers’ A People without a Voice Cannot Be Heard is part of the Walker’s summer “Open Field” programming about the cultural commons.

Three Futurefarmers (Amy Franceschini, Michael Swaine, and Dan Allende, a new farmer who worked as an intern on the Reverse Ark project in Baltimore) came to Minneapolis to prep for their summer project A People Without a Voice Cannot Be Heard, which is being co-curated and co-presented by Northern Lights.mn and the Walker Art Center. Northern Lights artistic director Steve Dietz sat down with Amy and Michael to discuss their upcoming project after three days of meetings with Walker staff, local artists, and potential community collaborators.

Steve Dietz – Amy and Michael, on your website (http://futurefarmers.com/), you write “Futurefarmers is a group of practitioners aligned through an open practice of making work that is relevant to the time and space surrounding us.” What do you mean by that?

Futurefarmers – (laugh) Futurefarmers was founded in 1995, and at first we had a design studio that we worked out of, but really our primary interest is in creating platforms for sociability. At some point, we stopped paying rent on the studio and began working on a project basis with a dynamic group of collaborators creating mostly temporary work particular to a specific site or situation. For example, A People Without a Voice Cannot Be Heard, is our response to the Walker’s summer theme of the cultural commons. For the month of August, we, along with a core group of local collaborators will explore together the idea of voice through workshops, lectures, outings, film programs, and public events.

SD – Curiosity seems to be a primary motivation and exploration a key component of Futurefarmer’s “m o,” as with projects like Reverse Ark at the Baltimore Contemporary Art Museum or the Free Soil Bus Tour at the 01SJ Biennial in San Jose.

Futurefarmers, Free Soil Bus Tour 2, 01SJ Biennial, 2008

Futurefarmers, Free Soil Bus Tour 2, 01SJ Biennial, 2008

FF – Yes, we often start with a topic that we’re interested in such as sustainability or radical education, and our project methodology is to search out experts and people with hands on experience and to explore the topic from a range of perspectives over a period of time with a core group of collaborators. We don’t know precisely what the end will be when we begin, but we are makers, and it always involves making something along with studying film and literature and lots and lots of informal conversation.

SD – For Open Field at the Walker you are exploring the topic of voice. What prompted that?

FF – Our normal practice is not to respond to specific themes, but we’re interested in working in interesting situations and the opportunity to work with the Walker and Northern Lights in the context of the Open Field initiative was very exciting. We first thought about voice because we’d heard that singing reduces stress, which seemed like a good thing, even though neither of us has a music background nor can be described as a singer. In relation to the commons, however, if you think about singer-songwriters like Woody Guthrie or Chuck D of Public Enemy, there is an obvious connection, and we like working in new territory, so to speak. We then visited a local girls’ choir rehearsal on our first visit to the Twin Cities, and their common voice had an almost physical presence, which was very inspiring on many levels. We hope they can be involved in a kind of choral derive of the city during our residency. We’ll also explore other ideas about and uses of the voice from Inuit throat singing to auctioneers to a film about song metering prison labor to the printing press and megaphones as amplifiers of the people’s voice.

SD – “This field is your field.”

FF – Sort of. We’re very interested in the relation of the institution to the general public, and the open field next to the Walker is perfect as both a literal and metaphorical site for exchange. At one point we thought of creating a kind of Trojan Horse, which would cache people’s unheard ideas and voice them into sites of authority, whether the museum or city hall. In a sense, what is left of that initial idea is just the voice box. How can we construct multiple ways for people’s voices to be heard in a common space? Of course, we don’t know the answer at this point, but we’re interested in a story from Jonathan Swift’s Gulliver’s Travels, where he asks the question what would it be like if people could only speak through and with objects. On the first Saturday in September, we will invite people to bring a blanket and their objects to the Walker’s open field, and we’ll see what happens. Maybe there will be an auction, maybe there won’t, but we like the idea of the field being dotted with hundreds of blankets, each of which has a story to tell.

SD – How can people get involved in A People without a Voice Cannot Be Heard?

Futurefarmers, workshops for A People without a Voice Cannot Be Heard

Futurefarmers, workshops for A People without a Voice Cannot Be Heard

FF – Lots of ways. We will be collaborating with a group of local artists on the project, and the FlatPak house in the Minneapolis Sculpture Garden will be our headquarters. The public is welcome to stop by anytime. We will be programming workshops, lectures, film screenings, walks and other happenings throughout the month of August, particularly on Thursday evenings. Many of these events are open to the public. They are all listed at http://www.futurefarmers.com/buildingavoicebox/schedule.html for more information.

SD – Thanks Amy and Michael. I can’t wait to hear – and see – your voices at work this summer.


Opening night, The University Avenue Project


Wing Young Huie, University Avenue Project opens tonight

Wing Young Huie reviewing test of the University Avenue Project(ion) site at 1433 University Ave., St. Paul, MN

Wing Young Huie reviewing test of the University Avenue Project(ion) site at 1433 University Ave., St. Paul, MN

Northern Lights was invited by Public Art Saint Paul and Wing Young Huie to participate in Wing’s University Avenue Project by proposing a “Project(ion) Site,” where there will be a nightly 2-hour show beginning at dusk of more than 450 of Wing’s photographs, which he has taken over the past 4 years, and which are exhibited along a 6-mile stretch of University Avenue.

The show begins tonight, Saturday, May 1, at 8 pm at 1433 University Avenue, and runs through October 31. More details.


Forecast Public Art Annual Grant Program – Deadline February 6th

Forecast’s  annual grant program supports emerging, visual artists and interdisciplinary teams led by visual artists residing in the state of Minnesota.
These grants provide artists the chance to develop and create projects for a public audience anywhere in the state, receive increased recognition, and advance their artistic careers.A limited amount of consulting and/or facilitation time is provided by Forecast Public Art staff.

New in 2010, Forecast is excited to announce new funding opportunities
with three of Minnesota’s Regional Arts Councils!

As a result of these partnerships we have added three additional granting opportunities for residents living in the counties associated with the East Central Regional Arts Council, the Central MN Arts Board, and the Southwest MN Arts and Humanities Council.

These new opportunities join our already established Public Project grants and our Research and Development grants (both of which are open to applicants statewide as well).

For more information please visit the grants page of our website
and attend one of these upcoming workshops either in the Twin Cities or in your region!

• Wednesday, January 6 – 6:30-8:30pm – at Bedlam Theater in Minneapolis
• Thursday, January 7 – 6:30-8:30pm – Location TBA
• Saturday, January 9 – 1:00-3:00pm – at Homewood Studios in North Mpls
• Tuesday, January 12 – 6:30-8:30pm – at Springboard for the Arts in St. Paul
• Wednesday January 13 – 6:30-8:30pm – at the Paramount in St. Cloud
• Wednesday January 13 – 6:30-8:30pm – at SMAHC office in Marshall

Please RSVP to melinda@forecastpublicart.org if you plan to attend a workshop and we will reserve a spot for you as well as keep you updated on workshop locations, parking information, and last minute changes.

The deadline for all grants is February 6th!

Please feel free to contact melinda@forecastpublicart.org if you have specific questions about these funding opportunities!


AOV2 fellows selected!

Art(ists) On the Verge (AOV2)  is an intensive, mentor-based fellowship program for 5 Minnesota-based, emerging artists or artist groups working experimentally at the intersection of art, technology, and digital culture with a focus on network-based practices that are interactive and/or participatory.

For 2010, 5  fellows and their proposed projects have been selected:

More information about the AOV2 program guidelines is  here.

Congratulations to each of the artists and thanks to the AOV2 jurors, Darsie Alexander, Chief Curator, Walker Art Center, and Kathleen Forde, Curator for Time-Based Arts at the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY.

AOV2 is generously supported by the Jerome Foundation.

Edit this entry.


AOV 2 info sessions

Informational meetings (optional) about Art(ists) on the Verge will be held Monday, October 26 at 12:00 pm in the small auditorium at MCAD, and Tuesday, October 27 at 1:00 pm at Common Roots in the Common Room.

Art(ists) On the Verge 2

https://northern.lights.mn/programs/aov2/

Northern Lights announces a second round of Art(ists) on the Verge commissions (AOV2). AOV2 is an intensive, mentor-based fellowship program for 5 Minnesota-based, emerging artists or artist groups working experimentally at the intersection of art,  technology, and digital culture with a focus on network-based practices that are interactive and/or participatory. AOV2 is generously supported by the Jerome Foundation.

Application Deadline

Monday, November 16, 2009


Looking for aurora borealis.2

Photo: Stephen Vitiello

Photo: Stephen Vitiello

From:     Stephen Vitiello
Subject:     Re: financial update (so far)
Date:     October 14, 2009 11:18:29 AM CDT
To:     Steve Dietz
Cc:     Matt Flowers

Photo: Stephen Vitiello

Photo: Stephen Vitiello

no NL to be seen. We went to visit this guy Stu Ross last night. We paid him $40 each for an evening at his cabin. Not to sleep but to have a sort of speed-education in the Northern Lights, as well as a slide show and then access to his lakefront view to the sky. He does these “Aurora Tours” which have produced incredible photographs. The tourism brochures and websites make it seem like you just come here and the sky is filled with color but that’s not always true at all. He said on a great year, you may see lights 20 nights out of the month on the ‘peak’ months. This was predicted to be a big year and season for the lights but the predictions haven’t come true. He’s barely seen anything and nothing in the last week at all. It sounds like 2012 is supposed to be the high-point on the 12-year cycle. We took lots of pictures. There was too much interference from phone lines to do VLF recordings but there’s one spot I can return to today to do those. Stu said that there’s a chance of NL activity tonight but it may be too cloudy to see – prediction is for snow today, rain and snow tomorrow. If it looks good, he’ll call us and we’ll jump in the car. Otherwise, we may go close to his place without paying him and just get our last shots tonight. Matt stays for one extra night. I can certainly make something but it’s more of a “waiting for the lights” piece. Sadly, Fort McMurray is not a pretty town at all but if you go 30 minutes out on the lake, where Stu lives is at least more rural, charming and dark at night. best, Stephen

See Looking for aurora borealis.


Art(ists) On the Verge info session

Are you an emerging artist? Do you work experimentally at the intersection of art, technology, and digital culture with a focus on network-based practices that are interactive and/or participatory Do you live in Minnesota? Would you like $5,000? I can help answer at least some of these questions. Come find out more about the new round of Art(ists) On the Verge grants.
https://northern.lights.mn/programs/aov2/

Information session – Influx, Regis Center, Univeristy of MN at 12 30 pm this Friday, October 9. Everyone welcome.


It’s finally over

Four year legal battle ends with substantial donations to civil + human rights groups

In Strange Culture, filmmaker Lynn Hershman-Leeson tackles the bizarre case of Steve Kurtz, an associate professor of art at SUNY/Buffalo and founding member of the award-winning art and theater collective Critical Art Ensemble, whose interactive projects include the examination of biotechnology and the issues surrounding it. Kurtz’s life suffered an upheaval of Kafkaesque proportions following the unexpected death of his wife, Hope, of heart failure in May 2004.

In Strange Culture, filmmaker Lynn Hershman-Leeson tackles the bizarre case of Steve Kurtz, an associate professor of art at SUNY/Buffalo and founding member of the award-winning art and theater collective Critical Art Ensemble, whose interactive projects include the examination of biotechnology and the issues surrounding it. Kurtz’s life suffered an upheaval of Kafkaesque proportions following the unexpected death of his wife, Hope, of heart failure in May 2004.

via Alternative Film Guide

CAE Defense Fund donated to Center for Constitutional Rights & New York Civil Liberties Union

Buffalo, NY—After a widely watched four-year legal battle, the CAE Defense Fund was officially dissolved last week, with its remainder of unexpended funds donated in two substantial gifts to the Center for Constitutional Rights (CCR) and the New York affiliate of the American Civil Liberties Union (NYCLU).

The CAE Defense Fund was originally created as a mechanism to raise funds for legal bills incurred by Dr. Steven Kurtz and Dr. Robert Ferrell in what its members argued was a politically motivated attack by the Department of Justice—one which threatened the constitutional and fundamental rights not only of the two defendants, but also of everyone, due to legal precedents that would have been set by an unfavorable outcome.

In response, thousands of people worldwide organized demonstrations and raised money for the two men’s legal defense through fundraisers and a variety of other grassroots efforts.

The fund was also heavily supported by internationally renowned artists including Sol Lewitt, Richard Serra, Hans Haacke, Cindy Sherman, Carl Andre, Mike Kelley, Kiki Smith, Sam Durant, Mark Dion, Jeremy Deller, and many others, who donated work to an auction at Paula Cooper Gallery in April 2005. Other artists such as Chuck Close, Walid Raad, and Ed Ruscha made substantial direct cash contributions.  In all, the Fund raised approximately $350,000.

Drs. Kurtz and Ferrell were indicted for mail and wire fraud in June of 2004. Under the USA PATRIOT Act, the maximum sentence for those charges was increased from five years to twenty years in jail. After an arduous four-year-long struggle, in April of 2008 the indictment against Kurtz was finally dismissed by Federal Judge Richard J. Arcara as “insufficient on its face”—meaning that even if the actions alleged in the indictment (which the judge must accept as “fact”) were true, they would not constitute a crime. Ferrell pleaded guilty to a misdemeanor charge in October 2007 after recurring bouts of cancer and three strokes suffered during the course of the case prevented him from continuing the struggle.

When the case was dismissed instead of going to trial, approximately $108,930 remained in the fund.

“Had the case gone to a jury trial, that amount wouldn’t have been enough to cover Steve’s legal bills through the trial, let alone appeals in the event of a guilty verdict” explained Edmund Cardoni, Executive Director of Hallwalls Contemporary Arts Center in Buffalo NY, and the Fund’s fiscal administrator. “When the case was finally thrown out, we were thrilled, but we were presented with a new problem. The committee was very conscious of our ethical responsibility to make sure this money would be used in a way that honored the original intent of the many people who gave money to the fund, and the artists who donated art works to the fundraising auction.”

In keeping with that purpose—to defend our fundamental constitutional rights—the CAE Defense Fund and Trial Fund committees, in consultation with artists, curators, and others centrally involved in the fundraising efforts, voted to disburse the remaining funds by awarding 80 percent ($87,150) to the CCR, and 20 percent ($21,780) to the NYCLU.

CAE Defense Fund coordinator Lucia Sommer said, “We are extremely happy that the case is over, and that the remaining funds can be passed on to organizations that have such a distinguished record of defending not only the U.S. Constitution, but also the human rights and dignity of all people.”

Added Kurtz, “I always promised everyone who donated their time, labor and hard-earned money to our defense that this struggle would do more than demonstrate to the Justice Department that the art, science, academic and activist communities would not be intimidated by its authoritarian tactics. We knew the legal precedent set by the case was critical to preventing what happened to Bob and me from happening to others, and it’s incredibly rewarding to know that these funds can now be used to defend others who do not have the kind of support we had.”

Representatives of both organizations expressed gratitude for the donations.

“The NYCLU is very pleased to receive this generous contribution from the CAE Legal Defense Fund to continue our work in restoring, defending, and upholding our constitutional and fundamental rights, including artistic and academic freedoms,” said Donna Lieberman, Executive Director of the New York Civil Liberties Union.

Vincent Warren, Executive Director of the Center for Constitutional Rights, congratulated the CAE Defense Fund “and its many dedicated and principled supporters for your extraordinary victory—a victory for our country and the Constitution as much as it is for the individuals.” He further stated that, “The CCR is honored to use the tremendous support of the Fund’s donors to continue the fight against repression of dissent and illegal detentions—work which, unfortunately, is still sorely needed.”

For more information about the case, please visit: http://caedefensefund.org


SkyDog Projects Open Call to Collaborate

Conflux Festival Workshop 9/18/09

Attention all digital photographers

As part of the Conflux 2009 festival, SkyDog Projects is organizing a group workshop on Friday September 18th from 7pm to 9pm to capture the energies and geographic dynamism of the Brooklyn East River Waterfront Landscape.

The idea is simple.  To enlist photographers to collectively capture the beauty and rhythms of the lower East River corridor through the use of time lapse photographic techniques.  After the workshop, the participants will be asked to upload their footage to YouTube and register information about the location and URLs of their footage.  Using software developed specifically for the conference, conference members will be allowed to create interactive presentations that will uniquely investigate the various perspectives and energies that were captured.

General Rules

  • This workshop is open to public and available to everyone who is willing to share their final results.
  • Participants will need to have a basic understanding of time lapse photography, their own equipment, and a means of combining and uploading the final movies to YouTube.
  • The goal is collapse the 2 hours of documentation into 2 minute videos.
  • Creativity is encouraged. Photographers should feel free to explore the city and use various lenses, exposures and techniques to capture the various interplay of the cities energies.  
  • General guidelines for the event, including basic information about time lapse photography and some tools that can be used, will be uploaded to SkyDogProjects.com leading up to the event.
  • Have fun! 


Open invitation for the Seventh Art Shanty Projects

Seeking visual artists, musicians, composers, media artists, architects, poets, scientists, dancer/choreographers, writers, builders, fisher-people, outdoors-people, naturalists, puppeteers, set designers, vocalists, spoken word artists, craftspeople, storytellers, actors, playwrights, etc. interested in participating in the design and construction of ice fishing shanty-like structures, producing engaging projects, art, events and shows on frozen Medicine Lake in Plymouth, MN during January and February 2010.

Application Deadline: October 5, 2009

See Art Shanty Projects 2010 Call for Proposals

Art Shanty, winter 2008

In 2008, Kulture Klub used one of the art shanties to participae in the UnConvention.