Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Times Square At 44 1/2 Presented by Creative Time. Photo: Steve Dietz

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Times Square At 44 1/2 Presented by Creative Time. Photo: Steve Dietz

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Times Square At 44 1/2 Presented by Creative Time. Photo: Steve Dietz

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Times Square At 44 1/2 Presented by Creative Time. Photo: Steve Dietz

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Times Square At 44 1/2 Presented by Creative Time. Photo: Steve Dietz

Gilbert & Georege, A Portrait of the Artists As Young Men, 1970

Times Square At 44 1/2 Presented by Creative Time. Photo: Steve Dietz

I was in New York last weekend and made a point of going to see Gilbert & George’s 1970 video “A Portrait of the Artists as Young Men,” which Creative Time was presenting as part of its 44 1/2 program in Times Square. I was not disappointed. The dissonance between the stillness of the video, where they stare unblinkingly (pretty much) at the camera without making any kind of effort – including to be perfectly still – and the frenetic blinking of the Times Square signage around them is even eerier than seeing the video in a white cube setting.

PDPal: Julian Bleecker, Scott Paterson, Marina Zurkow

PDPal, which I commissioned while at the Walker was also presented by Creative Time as part of its 59th minute program in 2003, and the sheer scale is always impressive, but Gilbert & George’s video was memorable for more than its scale.

I suppose at some level it’s just the difference of stillness, length, and black and white, which makes it stand out and like the Richard Linklater-influenced Chuck (Schwab) ads, the effect would lose its power through over-saturation, but I enjoyed it immensely.

Journal: Germaine Koh

Gilbert & George also reminded me of another favorite work, “Journal,” by Germaine Koh, which I commissioned for the Cleveland Ingenuity Fest in 2007. She wrote a daily 40 word “diary” on a LED news ticker in downtown Cleveland for a month – each day, the cumulative entries would be displayed hourly. Something about inserting her private tribulations into the latest stock news and international crises was equally compelling, even if one didn’t know her or the characters in her life (apologies for the dirty window through which this was recorded).

Germaine Koh, Journal from Steve Dietz on Vimeo.

Urban Screens

Where can we start an art urban screen program in the Twin Cities?

About two years ago I explored the possibilities of placing an LED screen atop the Southern Theater. The idea was for short Drive-By Video Art that would be supported by advertising. Funding could not be found.

In thinking about where we could do a effective Public Art Video Billboard, the Walker comes to mind — better then the video calender on the glass facing Hennepin.

Minneapolis is cold and I think the most effective use of video would be for walk by traffic. The IDS lobby comes to mind — its supposed to be our town square.

Funding is a big problem. Maybe a Corporation. Something like the Comcast Experience in Philadelphia, except you design is so it takes a constant stream of new art.

Most likely, is an existing sign that will give up some time to run a curated program. XCEL Energy Center is probably the best choice. It has a built in audience at the Dorothy Day Center, and can be seen from a long way off. Maybe something built into the New Twins stadium?

Shall we form a committee?